{"id":2220,"date":"2026-05-16T11:41:49","date_gmt":"2026-05-16T09:41:49","guid":{"rendered":"https:\/\/www.gio.cat\/produccio\/triple-de-beethoven-i-magrane\/"},"modified":"2026-05-16T11:41:49","modified_gmt":"2026-05-16T09:41:49","slug":"triple-de-beethoven-i-magrane","status":"publish","type":"produccio","link":"https:\/\/www.gio.cat\/es\/produccion\/triple-de-beethoven-i-magrane\/","title":{"rendered":"Triple de Beethoven i Magran\u00e9"},"content":{"rendered":"

\u00bfC\u00f3mo puede variar nuestra percepci\u00f3n de una pieza que siempre hemos escuchado igual si cambiamos la experiencia auditiva? \u00bfC\u00f3mo se vive la primera escucha de una obra cuando el contexto de esa experiencia auditiva no es el m\u00e1s habitual?
Este ejercicio o juego es el que se plantea en el encargo a Joan Magran\u00e9: escribir una nueva obra que se intercale entre los movimientos del Triple Concierto de Ludwig van Beethoven como si ambas obras formaran una sola. La GIO Symphonia, acompa\u00f1ada por el Trio Fortuny en su d\u00e9cimo aniversario, ser\u00e1 la encargada de dar vida a esta experiencia musical bajo la direcci\u00f3n de Francesc Prat.<\/p>\n","protected":false},"featured_media":1947,"parent":0,"menu_order":0,"template":"","produccio-actual":[30],"tipus-de-produccio":[40],"class_list":["post-2220","produccio","type-produccio","status-publish","has-post-thumbnail","hentry","produccio-actual-pasadas","tipus-de-produccio-clasica"],"acf":[],"yoast_head":"\nTriple de Beethoven i Magran\u00e9 | GIO Productions<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.gio.cat\/es\/produccion\/triple-de-beethoven-i-magrane\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Triple de Beethoven i Magran\u00e9 | GIO Productions\" \/>\n<meta property=\"og:description\" content=\"\u00bfC\u00f3mo puede variar nuestra percepci\u00f3n de una pieza que siempre hemos escuchado igual si cambiamos la experiencia auditiva? \u00bfC\u00f3mo se vive la primera escucha de una obra cuando el contexto de esa experiencia auditiva no es el m\u00e1s habitual? 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